Not content to merely team up with Swae Lee to contribute the song "Sunflower" to the movie's soundtrack, he also has a blink-and-you-missed-it role in the film, itself.ĭuring a special interactive screening of Spider-Man: Into the Spider-Verse, co-director Rodney Rothman took to Twitter to give some behind-the-scenes details on Post Malone's cameo in the movie. One of those celebrity cameos is none other than rapper and face tattoo enthusiast Post Malone. In addition to all the main players, even most of the bit parts and cameos are voiced by industry heavyweights. Not only is the cast talented, but it's also stacked with stars. From relative newcomer Shameik Moore to industry vets like Chris Pine, Mahershala Ali, Nicholas Cage, and Lily Tomlin, the film is full of talented performers who imbue their characters with humor and humanity. One of the most praiseworthy aspects of the film, however, is its top-rate voice cast. The film's distinct visual style, cast of engaging characters, and the plethora of fun easter eggs are all astounding. But where soundtrack tunes so often indulge in the audio-production equivalent of pyrotechnics, some of Spider-Verse’s best songs triumph for the exact opposite reason-Vince Staples’ closer, “Home,” and Swae Lee and Post Malone’s “Sunflower” ride the lowest of lo-fi beats to really let their lyrics shine.When it comes to things to admire, Spider-Man: Into the Spider-Verse is an embarrassment of riches. And Nicki Minaj turns up the patois over Caribbean vibes on “Familia”-a rare song that directly references the film-alongside verses from Puerto Rican trap artist Anuel AA and Zimbabwean singer Bantu. Lil Wayne and Juice WRLD each offer introspective tracks (the former featuring a surprise appearance from the late XXXTENTACION) that use literal darkness as a metaphor for emotional pain. LA MC DUCKWRTH’s “Start a Riot” is a jump-up-on-the-table party-rap rager. While these songs were written for the movie, they often don’t sound like movie songs in the conventional sense. So it makes sense that the animated Spider-Man: Into the Spider-Verse-which features multiple cross-racial, cross-gender, cross-generational, cross-dimensional characters with Spidey powers-has a soundtrack that really upends the franchise’s own long-established aesthetic and cultural awareness. : Post Malone & Swae Lee Metal Cover, : Sunflower (Spider-Man Into the Spider-Verse. But surveying it 16 years later, there was something awfully homogenous about its lineup: Sum 41, Nickelback’s Chad Kroeger, Theory of a Deadman, Aerosmith, Pete Yorn. Post Malone & Swae Lee Metal Cover Sunflower (Spider-Man Into the Spider-Verse). There was nothing necessarily wrong with the soundtrack to 2002’s Tobey Maguire-starring Spider-Man.
0 kommentar(er)
